Top Ten Most Anticipated Reads for the Rest of 2017

Top Ten Tuesday is a weekly meme run by the lovely ladies of The Broke and the Bookish bringing together two of my favourite things – books and lists. This week’s topic is the ten books we are most excited to get our hands on during the rest of 2017.

Listed in order of release…

Spellbook of the Lost and Found – Moira Fowley Doyle (Corgi, 1st June)

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I adored Moira Fowley Doyle’s magical debut, The Accident Season, and have been eagerly anticipating this book. The author has described it on Twitter as a ‘weird little book about poteen & patron saints, tattoos & rusty keys, secrets & magic, longing & lost things’ and I am sure I will be enthralled by her beautiful writing once more. Launch in Eason O’Connell St on June 2nd.

One of Us is Lying – Karen M McManus (Penguin, 1st June)

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This sounds like a tense and thrilling read, and I do love a good mystery!

Once and for All – Sarah Dessen (Penguin, 6th June)

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What better to read in summer than a Sarah Dessen book? No more needs to be said.

When Dimple Met Rishi – Sandhya Menon (Hodder, 13th July)

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A YA romance told from alternating perspectives of two Indian-American teens whose parents have arranged for them to be married. It’s been getting great reviews, and I’m trying to read more diverse YA.

The Guggenheim Mystery – Robin Stevens (Penguin Random House, August)

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This is the sequel to Siobhan Dowd’s fantastic book The London Eye Mystery. Dowd was a brilliant talent – Bog Child is an incredible book – and Stevens is a wonderful choice to continue on this story. I look forward to seeing what she does with it, and to re-reading The London Eye Mystery in preparation!

Genuine Fraud – E. Lockhart (Hot Key Books, 5th September)

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When I got a proof copy of this through the bookshop my excitement was uncontainable. So far Lockhart’s voice is as sharp and intriguing as ever.

Moonrise – Sarah Crossan (Bloomsbury, 7th September)

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Sarah Crossan is queen of the verse novel, and of strong voices. One is one of my favourite YA books and so deserving of the many awards it has won. I am sure this book, about a boy whose brother is on death row, will be as moving and poignant as her other books.

The Break – Marian Keyes (Penguin, 7th September)

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Marian Keyes’ novels blend comedy and drama with memorable characters and note perfect dialogue. I only came to her books a couple of years ago, and I flew through them. I know I will love this!

It Only Happens in the Movies – Holly Bourne (Usborne, 1st October)

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While I will miss the Spinster Club girls, I am very much looking forward to Holly Bourne’s next YA venture!

Tangleweed and Brine – Deirdre Sullivan (Little Island, October)

Tangleweed and Brine will be a collection of feminist fairytale retellings, illustrated by Karen Vaughan. Her Rumpelstiltskin story was previewed on online Irish design journal Make Believe and gives an idea of how dark and magical the book will be.

 

Review: Like Other Girls by Claire Hennessy

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Like Other Girls

Claire Hennessy

Hot Key Books (2017)

YA, Contemporary

Like Other Girls is the story of Lauren, a 16-year-old bisexual girl grappling with the sometimes harsh realities of being a young woman in contemporary Irish society. Lauren is struggling with her identity – with the expectations of perfect femininity espoused by her all girls school, with dismissive attitudes towards bisexuality she finds even within the LGBTQIA community, and with her relationships, particularly with her boyfriend and the best friend she is still somewhat in love with. Then, she finds out she is pregnant. Readers familiar with Irish law will know the implications of this for Lauren, as she journeys alone to England for an abortion.

Lauren is a complex protagonist, and one in an incredibly difficult situation. She makes some bad choices, and Hennessy doesn’t shy away from showing Lauren’s darker and more ‘problematic’ (to use a much discussed word) thoughts. At times this can make for uncomfortable reading, particularly when Lauren is dealing with a close friend (whom she still has feelings for) coming out as transgender, or considering the degree of privilege you have as a cisgender woman in a country that denies women bodily autonomy. I do wish some of Lauren’s attitudes had been challenged a bit more, the transphobia in the book did make me uncomfortable, however her friend Ellie does call her out and at the end of the book there is a sense of Lauren growing as a person. Besides, in other ways Lauren’s flaws are a strength of the book and part of the way it pushes back against the pressure on girls to always be perfect.

Hennessy’s book is incredibly timely and will make readers angry. She uses articles very similar to those Irish readers will have encountered over the last few years, and a chilling scene in which her protagonist is given misleading and false information at a ‘counselling’ service. It evokes a very true-to-life sense of what it is like to be female in a country in which you don’t have bodily autonomy, in which abortion is illegal, and in which girls and women like Lauren must travel to the UK every single day for a medical procedure that should be available safely and legally in their home country. The trauma Lauren goes through makes the book painful to read, and shows how damaging the lack of access to abortion in Ireland is. Acclaimed Irish writer Marian Keyes has said that this book ‘all but quivers with righteous anger’, and I think its readers will too.

Like Other Girls tackles a number of very sensitive topics without falling into that dangerous trap of becoming an issue novel, without moralising or preaching, and without demonising its protagonist or giving her an unrealistic ‘happily-ever-after’ type ending. It is also a funny book, filled with pop culture and musical references, and with a strong, snarky voice at its centre. It also has a fantastic cover – it’s a label! for a book about labels! – designed by Leo Nickolls.

To sum up – Like Other Girls is a fierce, feminist book that while not an easy read, is an important one. We need stories like Lauren’s, and we need to repeal the eighth amendment.

Like Other Girls will be launched tonight, May 25th, in Dept 51 at Eason O’Connell Street at 6pm.

Review: Release by Patrick Ness

I love Patrick Ness’ writing and think he is one of the best YA writers working at the moment. I was delighted to receive an ARC of his latest book, Release, from LoveReading4Kids to review.

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Release

Patrick Ness

Walker Books (May 2017)

YA

Taking place over a single Saturday in summer, Release is the story of a day that will change seventeen-year-old Adam Thorn’s life forever. He feels trapped in his devoutly religious family, his crappy job, his mixed up personal life…he learns to escape and be able to really live. Meanwhile, across town, someone else is having an extraordinary day of their own…

Ness has stated that Virginia Woolf’s Mrs Dalloway and Judy Blume’s Forever influenced this book. The opening line is a nod to Mrs Dalloway, as is the one-day structure and some of the style. I think Release is most akin to Forever in its frankness and openness about sexuality and teenage life, arguably it could be seen as an LGBTQ Forever, or a modern day Forever. However, the nods are subtle and the reader does not need to be familiar with these texts. Release is unmistakeably a Patrick Ness book and showcases the power of his writing and the depth of his characters. Personally, I much preferred the Adam Thorn storyline to the supernatural/ghost story, and was found myself keen to get back to this when the narrative switched.

The book is set over a single day, this structure lends it an intensity and gives the reader a sense of being at a pivotal moment in Adam Thorn’s life, of the tumult and change of adolescence, in a powerful, poignant punch of a book. This book is one that will stay with me, and Adam is an incredibly well-drawn character.

Raw, powerful and moving, this is a book that draws the reader in, one they won’t want to be released from. Fans of Patrick Ness will not be disappointed.

 

 

Review: The Upside of Unrequited by Becky Albertalli

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The Upside of Unrequited

Becky Albertalli

HarperTeen (2017) – YA/Contemporary

Molly Peskin-Suso is seventeen years old, and has had a string of crushes (twenty six, to be exact) but has never had a boyfriend. Now that her twin sister Cassie besotted with Mina, Molly feels more alone than ever. But Mina’s friend Hipster Will is attractive and seems to be into Molly. Maybe this is a way for Molly to burst her cautious bubble, and to not be left behind by her sister. However, there’s also Reid from work, the guy who totally isn’t Molly’s type. yet who she can’t stop thinking about…

I loved Becky Albertalli’s debut Simon Vs the Homo Sapiens Agenda, and so have been eagerly anticipating this book. While I didn’t love it quite as much as her first book, I found The Upside of Unrequited to be a very enjoyable read with diverse and complex characters.

Albertalli makes very effective use of social media in the book; for example the texting and emoji made it feel current,  and definitely a modern romance. Albertalli is one of my favourite contemporary YA writers at the moment, for her pop culture references, her ear for dialogue and nuanced exploration of all kinds of relationships.

She excels at creating very sweet romances, and like with Simon, she shows a diverse range of relationships here. However, while the romance was very swoon-worthy and well developed, I was pleased by the focus on sisterhood and friendship, and the changing nature of such relationships over time. Sometimes growing up does mean growing apart, and this is something that really is explored in this book.

Albertalli’s books are part of the growing body of wonderful LGBTQIA YA books out there.  One of my favourite things about this book was how diverse it was, without any tokenism or characters being shoehorned in. Molly and Cassie have two mothers, who are very much involved in the story and whose relationship and family are also explored. There are characters of different ethnicities and sexualities, and while different experiences are explored it never feels like an issue book. The more I think about this book, the more I realise just how much there is in it. Molly’s anxiety (and the matter of fact way in which her medication is discussed), her issues with body image, the layered relationships between the characters…

The Upside of Unrequited is an excellent book exploring a variety of relationships – romance, family, friends, self – with memorable characters and sweet romance. Highly recommended for fans of Simon vs the Homo Sapiens Agenda, or fans of brilliant contemporary YA!

Review: The Hate U Give by Angie Thomas

A YA novel inspired by the Black Lives Matter movement, The Hate U Give by Angie Thomas has been getting a lot of (much deserved!) attention lately. It is topping bestseller lists, and is to be made into a movie. Best of all, it is creating much needed dialogues.
Angie Thomas will be at Dept 51 in Eason O’Connell Street at 6pm this evening, and will be interviewed by YA author Deirdre Sullivan.
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The Hate U Give
Angie Thomas
Walker Books (April 2017)
YA Contemporary
What’s the point of having a voice if you’re gonna be silent in those moments you shouldn’t be?
Sixteen-year-old Starr is caught between two worlds, the poor neighbourhood she calls home and the posh high school in which she feels like an outsider. She isn’t quite sure which Starr is the ‘real’ Starr, and how to balance the different aspects of her life. When she witnesses a police officer shooting her friend Khalil, her world is shattered. Khalil was unarmed when their car was pulled over, but this isn’t the story the media is telling. If Starr speaks out she could put herself and her family in danger; but if she doesn’t, how will this prejudice ever change? Her voice is her weapon, but will she use it?
Inspired by the Black Lives Matter movement, this is a gripping and powerful read that I think should be essential reading for teenagers and adults alike. Thomas gives an emotional insight into the life of a black teenager grappling with racism and police brutality. The Hate U Give is a striking look at racial prejudice in the 21st century, both in tragic events like shootings and the insidious effect of racist remarks and slurs.
Starr’s struggle to get justice for Khalil is moving and heart wrenching. She is a complex character, and a very believable one. Starr is a brilliant heroine, she is real and conflicted and her voice is very strong. Angie Thomas really conveys the trauma Starr is going through after the loss of Khalil, and the impact of another death when she was a child. The family dynamics are also very well done and the dialogue is snappy and on point.
This is a brilliant and important book, one I want to press into people’s hands, it’s such an important book. It is a very impressive debut, and I look forward to reading more books by Angie Thomas in the future.

Review: The Space Between by Meg Grehan

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The Space Between

Meg Grehan

Little Island (March 2017)

YA

Beth has decided to take a year of solitude. Hidden away in her house, she lives according to a schedule, it makes her feel safe and secure. She has her own little world, and everything is under control there. Then, one day a dog called Mouse arrives at her window. Mouse brings Beth a rare and unexpected burst of joy, but it is his owner Alice who really changes Beth’s world. But Beth’s anxieties are still there, her year of seclusion rolls out, and letting someone else into her life is strange and scary.

This is a beautiful book in so many ways. The cover (designed by Paula McGloin) is gorgeous, and sets the tone for the book. The Space Between is a tender love story; quiet, emotional and moving. Grehan really conveys Beth’s anxiety and the ways in which her phobias trap and restrict her. At times the book can be difficult to read, and I felt panic setting  in myself reading some of the poems.

Just do the same thing

at the same time

just do it again and

again and again and

again and again and

again and again and

again until it sinks in

until your brain accepts it

until you can pretend

until you can pass as a person

Beth’s connection with Alice, the progression from friendship to something more, is handled tenderly. This relationship was built up slowly, in a manner that felt very realistic. Grehan explores the complexity for Beth of having a connection to the outside world once more. Beth has cut herself off from the rest of the world, and Alice’s ability to navigate it and to do things Beth isn’t able to do anymore is a source of tension. It is always good to see more LGBTQ love stories out there, particularly one portrayed in such a positive light. At times it did feel a bit too rosy, but of course I was glad Alice and Beth got their happy ending. I also would have liked the book to have been a bit longer,  I was enjoying it so much!

I also loved the fact that Alice, while playing a major role in Beth’s recovery, was not a knight in shining armour and Beth has to rely on her own inner strength to get better. Alice says to Beth at one point ‘I can’t be your reason.’ The Space Between shows how love and friendship can enrich your life and bring healing, but in the end Beth is the one who must take the steps, who must save herself. The ending is hopeful, but it is clear that Beth still has a long way to go and there is a sense that her recovery will be an ongoing process, with ups and downs. In this way, Grehan portrays mental illness in a very realistic way. Beth’s anxieties are by no means romanticised or beautified, and we really see how difficult coping with her agoraphobia, anxiety and depression is.

Above all, this is a beautifully written work. Even in the third person, we get right inside Beth’s head. The poems bring us right into her consciousness, and they flow beautifully. The formatting and typesetting are clever, and Grehan plays with the forms of the poems. I loved the part in which Beth is focusing on her breathing. In verse novels, words carry so much weight, and Grehan deftly weaves a moving tale of anguish, love and redemption. It is a short book, yet it has impact. Verse novels are much more prevalent in the US than in Ireland or the UK. Sarah Crossan is the most popular and prolific verse novelist in these parts, and it is great to see a new talent like Meg Grehan working in this format. Here’s to more Irish verse novels in the future!

The Space Between is an honest, delicate love story in verse, a book that warmed my heart and made me cry.

The Space Between will be launched in The Gutter Bookshop on Thursday March 30th by Deirdre Sullivan (author of Needlework and the Primrose Leary trilogy).

Space Between Launch

Review: …And a Happy New Year? by Holly Bourne

Oh how I love the Spinster Club! This is the series I wish could have been around when I was a teenager. I have had the new (and final, sob) book since DeptCon2 but I had been putting off reading it because I didn’t want this wonderful series to end. However, last weekend it was exactly the book I wanted to read. Now I have read it, I am happy to report that fans of Holly Bourne and the Spinsters will not be disappointed.

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…And a Happy New Year

Holly Bourne

Usborne (2016) YA

Same bench. Same view. Same girls.

And yet totally different girls…

…And a Happy New Year? is set at Amber’s New Year’s Eve party, and sees the Spinsters reunited after their first term of university. The distance and their new experiences has altered their friendship, and they are all keeping secrets.

Amber has made a life-changing decision, she just hasn’t found the right moment to tell her best friends yet.

Lottie is not enjoying university life in London, but she is too ashamed to admit it.

Evie’s boyfriend has had a relapse. She is afraid for him and for herself, but she is also afraid of her friends’ reaction.

With all these terrible secrets, this will be a New Year’s Eve to remember…

This is shorter than the other Spinster Club books (a novella rather than a novel) and switches between the POVs of the main characters. All three voices were distinctive, and using this format gave us an insight into each character.  I also loved the ‘countdown’ aspect of the book. There are some wonderful quotes about how New Year’s Eve is actually kind of terrible.

It’s about feeling let down by life. It’s about a sinking feeling in your stomach that the night should’ve worked out better. It’s about your high expectations being dashed. It’s about your feet getting really cold watching shit fireworks. It’s about worrying everyone is having a better time than you. It’s feeling, only ten seconds after midnight, that actually, yes, your problems are still here and you were a deluded idiot for thinking a new year could change that.

As ever, Bourne’s writing is both funny and moving, and she writes brilliantly about friendship, feminism and mental health. What I loved was how this book explored the complexities of growing up (and sometimes growing apart), showing how expectations and reality can differ. Each character’s story was strong and their struggles felt very real. I like that Bourne did not opt for a ‘happily ever after’ ending to her series.

And I was angry at the world and the future and growing up and becoming an adult and all the other things that just do not turn out how they’re supposed to.

This book (and this series) is very much focused on feminism. Romance comes into each character’s story, but the focus really is on their friendship. Bourne explores the difficulty of maintaining friendships when you are all off having different experiences and adventures. Her characters are faced with the question of whether growing up means growing apart.

My favourite of the three characters is still Evie, and her story was very moving in this book. Bourne evokes Evie’s anxieties in a real and honest way. She shows both Evie’s own struggles, and how Evie copes with her boyfriend’s relapse. Exploring this connection between mental health and relationships is a very important part of the book, and I liked that Bourne engaged with the complexities of this issue.

We’d both worked so hard to get better. Us, our love, was our reward. We were supposed to be basking in the harvest of our efforts, not tumbling back down into dark rabbit holes.

Amber and Lottie’s stories were also emotional, and this book has all of the best things about a Spinster Club book – feminism (Does any Christmas movie pass the Bechdel test? Is the New Year the most feminist of all the holidays?), great dialogue, friendship, cheesy snacks etc. etc.

This is a beautifully produced book. It was released in a lovely hardback edition. The dust jacket (pictured above) is gorgeous and festive, and the self cover with its foil design is also lovely.

I adored this book and it is definitely one I will re-read at New Year’s. While I am sad to leave the Spinsters (this book made me very emotional) I am looking forward to Holly Bourne’s next book, due out in 2017!

Author Interview: Ruth Frances Long (Dubh Linn trilogy)

I interviewed the fabulous Ruth Frances Long when A Hollow in the Hills, the second book in her Dubh Linn trilogy, was released last year. Now that the final volume, A Darkness at the End, is out in the world I caught up with Ruth to chat fantasy, trilogies, mythology, YA and more…

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1)   A Darkness at the End, the finale of the Dubh Linn trilogy, was published this autumn. What was it like to finish the series?

A bit of a rollercoaster, to be honest. I had a difficult time with the second book, A Hollow in the Hills, so I thought book three, A Darkness at the End might kill me. But as it happened, the story came together quite easily and the characters behaved themselves for once. Even the ones who did not want to die. It is actually incredibly fulfilling to know the complete story is out there now and I’m really pleased with the way it worked out.

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2)    There were some fantastic locations in the third book – was there one that stood out for you? I loved the scene in the National Gallery.

So difficult to choose just one so I’ll cheat a little. There’s a sequence where three characters go through the tunnels carrying the River Poddle until they reach St. Patrick’s Cathedral and then go to Marsh’s Library which is one of my favourite parts of A Darkness at the End. There’s a lot going on with the characters at this point, especially with Clodagh and there’s a certain symbolism tied in with this underground journey. Usually when researching a location I would go there, but with the Poddle, being a subterranean river, I couldn’t do that. Luckily I was able to find some documentary footage and photos online of the route and used that for reference.

 

3)      Which of your characters are you most like?

If I say Brí will it frighten everyone?

In reality, there is probably a bit of me in all of them, and a bit of all of them in me.

 

4)    Did you have a favourite character to write, or one whose head you found difficult to get into?

The Magpies became my favourites to write over the course of the three books. They were minor characters to begin with, hired thugs who didn’t have that much to do, but they grew into something much more and I was so sorry to say goodbye to them at the end. Not that I’d want to hang out with them or anything!

As for difficult to pin down, I was very worried about including the Morrigan in the final book because she’s such a huge and important character in so much literature and I wanted to do her justice.

 

5)    Do you prefer the first draft stage, or the editing stage?

A mixture of both. There are moments in the first draft when the story is flowing and it all just feels like magic. However, the editing stage often feels more solid and rewarding to me.

 

6)    Could you tell me a bit about the Morrigan in the third book – when did she come into your mind, and what did the research process for this character involve?

I always wondered if she would show up in the books. She’s a very difficult character to pin down and I didn’t want to make mistakes. I read a lot, of course and winnowed through various legends where she appears. I also spoke to a friend dedicated to the Morrigan, and we discussed her various aspects at length which was really eye opening and fulfilling. She’s often portrayed as a goddess of death, but she’s more like a goddess of life lived to the full on the edge of death. She’s a war goddess, and there’s a tremendous amount of energy in that. I see her and Brigid (who I portrayed as Brí) as being two sides of a coin, intricately linked together and immensely powerful for that.

 

7)    You have really strong female characters in the trilogy, particularly with the matriarchs. Was creating a female power structure in the books something you did consciously?

When you look at Irish legends there are incredibly strong and determined women running all the way through them. Because of the Christianisation of these stories when they were written down they are often given a very bad ending. But we still remember the likes of Maeve and Gráinne as the key character in the tale.  I really wanted hierarchy in Dubh Linn to reflect that, so the matriarchs came about quite naturally. They’re also very strong characters so it’s hard to imagine them being told to sit down and be quiet and putting up with that.

 

8)    There are some dramatic (and devastating!) moments in A Darkness at the End. What have reader reactions been like?

Throughout the series I’ve tried to confront dark moments head on. The biggest reactions I had from readers were from the end of A Hollow in the Hills and a certain death in A Darkness at the End. My husband is still only tentatively speaking to me about it.

 

9)    I love how you bring figures and creatures from Irish mythology into the Dubh Linn books. Are there other legends or mythologies you would like to explore in your writing?

I’ve always been fascinated with legends and folklore so there are many. I’m currently thinking quite a bit about Arthurian legends so I’d love to explore them some more.

 

10)  What are your favourite YA books you have read this year?

In no particular order… Caramel Hearts by Elizabeth Rose Murray, Six of Crows by Leigh Bardugo, The Call by Peadar Ó Guilín and Nothing Tastes as Good by Claire Hennessy.

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Thanks to Ruth for her fascinating answers, I can’t wait to read more of her books! If you are a fan of fantasy, romance or mythology (or all three!) be sure to check out the Dubh Linn trilogy (A Crack in Everything, A Hollow in the Hills, A Darkness at the End)

Ruth Frances Long’s website

Review: As I Descended by Robin Talley

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As I Descended 

Robin Talley

HarperTeen (2016) 

YA

Delilah Dufrey is top student at Acheron Academy. She’s the most popular girl in school and a shoo in for the prestigious Cawdor Kingsley Prize. She is also the only thing preventing Maria Lyon and Lily Boiten’s dream future. Best friends, and secretly a couple, if Maria wins that prize it means they can go to college together. They want this future more than anything, and they are willing to do anything to achieve it. When they call on the spirits that haunt the school, a former planation, the feud becomes darker and deadlier than they could ever have imagined. But there is no turning back…

As I Descended is a queer retelling of Macbeth set in a haunted boarding school. It’s such a clever reworking of the play – using the power structures of the school, the spirits as the witches – but readers with no knowledge of Macbeth could enjoy it as a brilliant book in its own right. I loved seeing how Talley reworked the plot, and how quotes were used as chapter titles. The cast is diverse in terms of race and sexuality, and many of the roles have been gender swapped. Talley engages with her characters’ identities and with their different life experiences – some are open about their sexuality, some more conflicted. She treats Lily’s disability in a sensitive manner, and really shows how much she struggles. Most of all, it was just so creepy. There are some scenes that will be staying with me for a long time. Not one to read late at night!

Originally reviewed for LoveReading4Kids.

 

Review: What’s a Girl Gotta Do? by Holly Bourne

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What’s a Girl Gotta Do?

Holly Bourne

Usborne (2016), YA Contemporary

This feminist is READY to declare war on the patriarchy.

In the third book of Holly Bourne’s Spinster Club trilogy*, Lottie, the fiercest of the trio, goes on a feminist crusade to call out every instance of sexism she sees for a whole month. After being sexually harrassed on her way to college, Lottie decides that enough is enough and she is going to take a stand, against every sexist song, poster and comment. Lottie is strong, but she doesn’t realise just how difficult her task may be…

I didn’t think I could love Holly Bourne any more than I already did, and then she wrote What’s a Girl Gotta Do?  Her writing is so strong, she perfectly captures the sense of frustration that comes with dealing with sexism. As Lottie says:

I’m not psychic, I’m just highly experienced in sexual harrassment, like pretty much every other girl on this earth who dares to walk places.

The things Lottie calls out (razors costing more because they’re pink, the lack of female writers on the school curriculum, depictions of women in advertising) may seem small, but as she observes they all contribute to a culture of objectification. Just as Lottie opens her fellow students’ eyes to the sexism around them, I think Bourne will awaken feminist sensibilities in her teen (and older) readers.

Lottie has her moments of triumph, but she also has to deal with trolls, or the realisation of just how much work there is to do in the struggle for gender equality. Bourne shows how difficult it can be to strive for what you believe in, and how fatigue and frustration can set in. Lottie ultimately decides that she has to fight for what is right, but the pressure her project puts on her is clear. Lottie is a confident and powerful character, but we also see her vulnerabilities in this book, and she sees the error in some of her behaviour. I liked that Bourne made a point about everyone having to deal with problems in their own way.

This book (and indeed, the whole series) deals with some tricky topics but never in a preachy way. Bourne’s writing is humorous and entertaining. What’s a Girl Gotta Do? is  really funny. Lottie’s project is called ‘The Vagilante Project’ and has the fantastic tagline ‘Letting the cat lady out of the bag.’ The friendship between the girls is brilliantly written and I like that Bourne also shows the strains that can come into friendships. She creates relationships that are credible and complex. I liked the romance element of the book, and (slightly spoilery) Evie and Oli getting together made me extremely happy.

Lottie is ambitious and fiery, she wants to be prime minister and make a change in the world:

 …someone has to be prime minister. Why can’t it be me? I am smart enough. I am strong enough. And I really, honestly want to take this shitty world we live in and use whatever strength, intellect and passion I have to leave it a little better off than when I found it. I don’t just want to complain about the world, I want to change it.

A truly brilliant conclusion to one of the best YA trilogies out there at the moment. I only wish Bourne’s fierce feminist books had been around when I was a teenager!

* While this book does refer to events from Am I Normal Yet? and How Hard Can Love Be? I think it also works as a stand alone.

Here I am being excited about What’s a Girl Gotta Do?, and about seeing Holly Bourne at DeptCon2 in October!

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