Review: Tangleweed & Brine by Deirdre Sullivan, illustrated by Karen Vaughan

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Tangleweed and Brine

Deirdre Sullivan, illustrated by Karen Vaughan

Little Island Books (2017)

YA/Crossover

Old stories new, you’ll venture where you will

Tangleweed and Brine is a collection of 13 witchy fairytale retellings.  The book is divided in two, each element of the title being one half. The Tangleweed stories are earthier and filled with ash, while the Brine tales are infused with water. The elemental nature of the stories reflects the way that fairy tales connect to the very core of our being. This collection is no exception, filled as it is with darkness and light, pain and pleasure, fear and longing. Dark, beguiling and feminist, these are haunting tales that will linger in the reader’s memory, stories that reward multiple readings. Sullivan focuses on the female experience in her tales – she allows the reader enter deeply into the minds of her characters, and does not deny the darker elements of these tales.

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Ash Pale illustration by Karen Vaughan

This is illustrator Karen Vaughan’s first book, and she is definitely one to watch. Her intricate pen-and-ink illustrations catch the tone of the tales perfectly, and add an extra layer of richness to the book. Her work shows the influence of Harry Clarke and Aubrey Beardsley, in a way which ties the collection into the long tradition of illustrated fairytale books, yet she has a style of her own. I particularly like how her illustrations, like the tales themselves, make room for other types of bodies in the fairy tales. This book is not filled with dainty perfect princesses, but with women who would be considered too tall, too fat, too small or altogether too much for such tales.

She wasn’t soft threads woven into silk, but thick rough cables pulsing like muscles on the chests of fishermen. Functional.

There is a strong focus on bodily experience, on being a woman. On the body as functional and a source of power, on the body as a trap.

You like your arms that make things, grow things, mend.

Beauty and a womb. That’s all you are.

There are no quick fixes, fairy godmothers or happily-ever-afters in these stories. The endings are often ambiguous and unsettling. The heroines must rely on their own courage and resources. Some tales will resonate with readers, some will empower them, some will linger on long after reading.

With its poetic and beguiling prose, it is easy to become tangled up in Tangleweed and Brine. This is a book to savour and to treasure, beautifully written, illustrated and designed.

 

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Review: The Loneliest Girl of the Universe by Lauren James

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The Loneliest Girl in the Universe

Lauren James

Walker Books, September 2017

YA – Science Fiction

Romy Silvers is the commander of The Infinity, a spaceship travelling to a new planet on which Earth 2 will be established. She is also only 16 years old. A tragedy left her as the sole-surviving crew member, with full responsibility to steer the spaceship to its destination and secure the future of humanity. Romy is completely alone in space, she hasn’t had direct contact with another human in five years. Then, she learns that there is another ship, The Eternity, sent to help with the mission. It will catch up with her, she will have an ally. When she receives an email from the commander of the other ship, she finds an unexpected friend in J. They communicate by email, with lags of months as their messages travel through space, but even still Romy finds herself falling for J. Can you love someone you have never met, someone who is lightyears away? However, news of dramatic events on earth could affect their mission and the ghosts of the past that haunt Romy refuse to fade away…

Described as a ‘romantic thriller’ this is a gripping read that I struggled to put down. Romy is a well-developed character who readers will root for, and Lauren James shows the strain Romy’s mission puts on her in a very palpable way.  Her feelings – the trauma, the stress, the longing – come across strongly, and she is a believable and complex character. She is a very admirable heroine – she is strong and capable, because she has to be.

For someone like myself with little knowledge of physics, the aspects of how time works in space were a bit confusing but I soon got my head around it, and James did not include a lot of technical information, focusing instead of character and plot. This was a book I didn’t want to put down. It is a real page turner, and definitely one I will be recommending in the bookshop! Space travel really intrigues me, so if you have any recommendations of other books I should read please do leave them in the comments.

I received a proof copy of this book at the AmericYA panel event in Easons O’Connell Street.

Author Interview: Claire Hennessy (Like Other Girls)

I reviewed Claire Hennessy’s powerful new YA novel Like Other Girls recently, and was delighted to get the chance to chat to Claire about the book, her writing process, being an editor, and the joy of musicals.

Photo by Aisling Finn

Could you tell me about your writing routine? When and where do you write? Do you have any writing rituals?

I yearn for a proper writing routine but it really depends on what else I’m doing or working on at the time. For example, during the summer I teach on summer camps for teenagers, which means I might write in the evenings, whereas if I’m teaching a lot of evening classes then the writing tends to get done in the morning. It really depends on the stage the manuscript is at, too – when I’m in the middle of a first draft, getting new words down as often as possible (every weekday, hopefully) is really important, whereas when I’m revising I might think over things for weeks and then go and attack the manuscript again.

How do you find writing for teens as an adult, compared to writing for teens as a teen yourself?

I’m an adult? When did that happen?! I’m more wary of getting details wrong now, because I know that being a teenager today is different in certain ways – the endless encroaching presence of social media, for example – and I also try not to be preachy.

Do you think your work as an editor has changed how you approach your writing?

I am incredibly aware now of the importance of opening chapters, in a way that I wasn’t before – there are so many clichéd and tired ways to begin a story, and as an editor you really start to notice all the recurring and worn-out tropes. I actually overdid it slightly with Like Other Girls and had a scene that really belonged much later at the start, for dramatic purposes, but it didn’t quite work, so it got moved.

When in the process of writing Like Other Girls did you come up with the title?

It was when I was close to finishing the manuscript, and we already had a synopsis for the book before that, so it was quite late. But we agreed on it very quickly, which was brilliant.

Like Other Girls is a book that makes readers angry (to quote the wonderful Marian Keyes, it is a book that ‘all but quivers with righteous anger’), which books make you angry?

Oooh. Anything about feminism makes me angry at the world, for obvious reasons, and then I get angry at books for pulling cheap stunts or having twists that don’t quite work.

To my delight, musicals play a big role in Like Other Girls. What is your favourite musical, and your favourite song from a musical?

WICKED! And ‘For Good’. I just love the fact that it has two female leads, and that the love story isn’t everything, and that it’s basically set in a magical boarding school at the start. It’s very different from the book, of course, which is much darker and twistier.

I feel that the inclusion of newspaper articles and other media references really reflected what it is like being a young woman in Ireland at the moment, and also showed how Lauren’s story is one that happens every day, to many women. Was this aspect of the book there from the start?

I  didn’t necessarily know I was going to include newspaper articles but I was conscious that I’d probably be addressing what the narrative is around reproductive rights in Ireland, as well as how such issues are handled in popular culture. And then as it went on, it seemed to make sense to include actual articles (and sadly the media continues to offer up many examples to work with…)

Like Other Girls is a book that confronts and explores real experiences and problems without turning into the dreaded ‘issue novel.’ What do you think is the importance of books and other art forms in exploring issues we are facing today?

Thank you, that is very kind of you to say! I did worry hugely about this turning into a big rant, which a novel shouldn’t be, and I was aware in certain chapters that I needed to go back and make things about the characters rather than The Issues. What stories are wonderful for is creating empathy – seeing the world through someone else’s eyes and learning to understand each other a little bit better. So much cruelty and ugliness in the world comes from a capacity to dehumanise certain groups of people, and empathy is the cure for that.

As both an editor and a reader, what would you like to see more of in YA?

More funny books for teenagers that still manage to deal with serious issues. More books set outside of the UK and the USA. More books featuring protagonists with disabilities, chronic illness, etc. And, as ever, more boarding school novels.

What are your favourite YA reads of 2017 so far?

Spontaneous by Aaron Starmer completely blew me away. I absolutely adored Moira Fowley-Doyle’s The Spellbook of the Lost and Found. We Come Apart by Sarah Crossan & Brian Conaghan was, predictably, brilliant. Angie Thomas’s The Hate U Give lived up to the hype. And Sara Zarr’s Gem & Dixie is amazing.

Top Ten Most Anticipated Reads for the Rest of 2017

Top Ten Tuesday is a weekly meme run by the lovely ladies of The Broke and the Bookish bringing together two of my favourite things – books and lists. This week’s topic is the ten books we are most excited to get our hands on during the rest of 2017.

Listed in order of release…

Spellbook of the Lost and Found – Moira Fowley Doyle (Corgi, 1st June)

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I adored Moira Fowley Doyle’s magical debut, The Accident Season, and have been eagerly anticipating this book. The author has described it on Twitter as a ‘weird little book about poteen & patron saints, tattoos & rusty keys, secrets & magic, longing & lost things’ and I am sure I will be enthralled by her beautiful writing once more. Launch in Eason O’Connell St on June 2nd.

One of Us is Lying – Karen M McManus (Penguin, 1st June)

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This sounds like a tense and thrilling read, and I do love a good mystery!

Once and for All – Sarah Dessen (Penguin, 6th June)

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What better to read in summer than a Sarah Dessen book? No more needs to be said.

When Dimple Met Rishi – Sandhya Menon (Hodder, 13th July)

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A YA romance told from alternating perspectives of two Indian-American teens whose parents have arranged for them to be married. It’s been getting great reviews, and I’m trying to read more diverse YA.

The Guggenheim Mystery – Robin Stevens (Penguin Random House, August)

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This is the sequel to Siobhan Dowd’s fantastic book The London Eye Mystery. Dowd was a brilliant talent – Bog Child is an incredible book – and Stevens is a wonderful choice to continue on this story. I look forward to seeing what she does with it, and to re-reading The London Eye Mystery in preparation!

Genuine Fraud – E. Lockhart (Hot Key Books, 5th September)

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When I got a proof copy of this through the bookshop my excitement was uncontainable. So far Lockhart’s voice is as sharp and intriguing as ever.

Moonrise – Sarah Crossan (Bloomsbury, 7th September)

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Sarah Crossan is queen of the verse novel, and of strong voices. One is one of my favourite YA books and so deserving of the many awards it has won. I am sure this book, about a boy whose brother is on death row, will be as moving and poignant as her other books.

The Break – Marian Keyes (Penguin, 7th September)

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Marian Keyes’ novels blend comedy and drama with memorable characters and note perfect dialogue. I only came to her books a couple of years ago, and I flew through them. I know I will love this!

It Only Happens in the Movies – Holly Bourne (Usborne, 1st October)

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While I will miss the Spinster Club girls, I am very much looking forward to Holly Bourne’s next YA venture!

Tangleweed and Brine – Deirdre Sullivan (Little Island, October)

Tangleweed and Brine will be a collection of feminist fairytale retellings, illustrated by Karen Vaughan. Her Rumpelstiltskin story was previewed on online Irish design journal Make Believe and gives an idea of how dark and magical the book will be.

 

Review: Like Other Girls by Claire Hennessy

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Like Other Girls

Claire Hennessy

Hot Key Books (2017)

YA, Contemporary

Like Other Girls is the story of Lauren, a 16-year-old bisexual girl grappling with the sometimes harsh realities of being a young woman in contemporary Irish society. Lauren is struggling with her identity – with the expectations of perfect femininity espoused by her all girls school, with dismissive attitudes towards bisexuality she finds even within the LGBTQIA community, and with her relationships, particularly with her boyfriend and the best friend she is still somewhat in love with. Then, she finds out she is pregnant. Readers familiar with Irish law will know the implications of this for Lauren, as she journeys alone to England for an abortion.

Lauren is a complex protagonist, and one in an incredibly difficult situation. She makes some bad choices, and Hennessy doesn’t shy away from showing Lauren’s darker and more ‘problematic’ (to use a much discussed word) thoughts. At times this can make for uncomfortable reading, particularly when Lauren is dealing with a close friend (whom she still has feelings for) coming out as transgender, or considering the degree of privilege you have as a cisgender woman in a country that denies women bodily autonomy. I do wish some of Lauren’s attitudes had been challenged a bit more, the transphobia in the book did make me uncomfortable, however her friend Ellie does call her out and at the end of the book there is a sense of Lauren growing as a person. Besides, in other ways Lauren’s flaws are a strength of the book and part of the way it pushes back against the pressure on girls to always be perfect.

Hennessy’s book is incredibly timely and will make readers angry. She uses articles very similar to those Irish readers will have encountered over the last few years, and a chilling scene in which her protagonist is given misleading and false information at a ‘counselling’ service. It evokes a very true-to-life sense of what it is like to be female in a country in which you don’t have bodily autonomy, in which abortion is illegal, and in which girls and women like Lauren must travel to the UK every single day for a medical procedure that should be available safely and legally in their home country. The trauma Lauren goes through makes the book painful to read, and shows how damaging the lack of access to abortion in Ireland is. Acclaimed Irish writer Marian Keyes has said that this book ‘all but quivers with righteous anger’, and I think its readers will too.

Like Other Girls tackles a number of very sensitive topics without falling into that dangerous trap of becoming an issue novel, without moralising or preaching, and without demonising its protagonist or giving her an unrealistic ‘happily-ever-after’ type ending. It is also a funny book, filled with pop culture and musical references, and with a strong, snarky voice at its centre. It also has a fantastic cover – it’s a label! for a book about labels! – designed by Leo Nickolls.

To sum up – Like Other Girls is a fierce, feminist book that while not an easy read, is an important one. We need stories like Lauren’s, and we need to repeal the eighth amendment.

Like Other Girls will be launched tonight, May 25th, in Dept 51 at Eason O’Connell Street at 6pm.

Review: Release by Patrick Ness

I love Patrick Ness’ writing and think he is one of the best YA writers working at the moment. I was delighted to receive an ARC of his latest book, Release, from LoveReading4Kids to review.

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Release

Patrick Ness

Walker Books (May 2017)

YA

Taking place over a single Saturday in summer, Release is the story of a day that will change seventeen-year-old Adam Thorn’s life forever. He feels trapped in his devoutly religious family, his crappy job, his mixed up personal life…he learns to escape and be able to really live. Meanwhile, across town, someone else is having an extraordinary day of their own…

Ness has stated that Virginia Woolf’s Mrs Dalloway and Judy Blume’s Forever influenced this book. The opening line is a nod to Mrs Dalloway, as is the one-day structure and some of the style. I think Release is most akin to Forever in its frankness and openness about sexuality and teenage life, arguably it could be seen as an LGBTQ Forever, or a modern day Forever. However, the nods are subtle and the reader does not need to be familiar with these texts. Release is unmistakeably a Patrick Ness book and showcases the power of his writing and the depth of his characters. Personally, I much preferred the Adam Thorn storyline to the supernatural/ghost story, and was found myself keen to get back to this when the narrative switched.

The book is set over a single day, this structure lends it an intensity and gives the reader a sense of being at a pivotal moment in Adam Thorn’s life, of the tumult and change of adolescence, in a powerful, poignant punch of a book. This book is one that will stay with me, and Adam is an incredibly well-drawn character.

Raw, powerful and moving, this is a book that draws the reader in, one they won’t want to be released from. Fans of Patrick Ness will not be disappointed.

 

 

Review: The Upside of Unrequited by Becky Albertalli

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The Upside of Unrequited

Becky Albertalli

HarperTeen (2017) – YA/Contemporary

Molly Peskin-Suso is seventeen years old, and has had a string of crushes (twenty six, to be exact) but has never had a boyfriend. Now that her twin sister Cassie besotted with Mina, Molly feels more alone than ever. But Mina’s friend Hipster Will is attractive and seems to be into Molly. Maybe this is a way for Molly to burst her cautious bubble, and to not be left behind by her sister. However, there’s also Reid from work, the guy who totally isn’t Molly’s type. yet who she can’t stop thinking about…

I loved Becky Albertalli’s debut Simon Vs the Homo Sapiens Agenda, and so have been eagerly anticipating this book. While I didn’t love it quite as much as her first book, I found The Upside of Unrequited to be a very enjoyable read with diverse and complex characters.

Albertalli makes very effective use of social media in the book; for example the texting and emoji made it feel current,  and definitely a modern romance. Albertalli is one of my favourite contemporary YA writers at the moment, for her pop culture references, her ear for dialogue and nuanced exploration of all kinds of relationships.

She excels at creating very sweet romances, and like with Simon, she shows a diverse range of relationships here. However, while the romance was very swoon-worthy and well developed, I was pleased by the focus on sisterhood and friendship, and the changing nature of such relationships over time. Sometimes growing up does mean growing apart, and this is something that really is explored in this book.

Albertalli’s books are part of the growing body of wonderful LGBTQIA YA books out there.  One of my favourite things about this book was how diverse it was, without any tokenism or characters being shoehorned in. Molly and Cassie have two mothers, who are very much involved in the story and whose relationship and family are also explored. There are characters of different ethnicities and sexualities, and while different experiences are explored it never feels like an issue book. The more I think about this book, the more I realise just how much there is in it. Molly’s anxiety (and the matter of fact way in which her medication is discussed), her issues with body image, the layered relationships between the characters…

The Upside of Unrequited is an excellent book exploring a variety of relationships – romance, family, friends, self – with memorable characters and sweet romance. Highly recommended for fans of Simon vs the Homo Sapiens Agenda, or fans of brilliant contemporary YA!

Review: The Hate U Give by Angie Thomas

A YA novel inspired by the Black Lives Matter movement, The Hate U Give by Angie Thomas has been getting a lot of (much deserved!) attention lately. It is topping bestseller lists, and is to be made into a movie. Best of all, it is creating much needed dialogues.
Angie Thomas will be at Dept 51 in Eason O’Connell Street at 6pm this evening, and will be interviewed by YA author Deirdre Sullivan.
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The Hate U Give
Angie Thomas
Walker Books (April 2017)
YA Contemporary
What’s the point of having a voice if you’re gonna be silent in those moments you shouldn’t be?
Sixteen-year-old Starr is caught between two worlds, the poor neighbourhood she calls home and the posh high school in which she feels like an outsider. She isn’t quite sure which Starr is the ‘real’ Starr, and how to balance the different aspects of her life. When she witnesses a police officer shooting her friend Khalil, her world is shattered. Khalil was unarmed when their car was pulled over, but this isn’t the story the media is telling. If Starr speaks out she could put herself and her family in danger; but if she doesn’t, how will this prejudice ever change? Her voice is her weapon, but will she use it?
Inspired by the Black Lives Matter movement, this is a gripping and powerful read that I think should be essential reading for teenagers and adults alike. Thomas gives an emotional insight into the life of a black teenager grappling with racism and police brutality. The Hate U Give is a striking look at racial prejudice in the 21st century, both in tragic events like shootings and the insidious effect of racist remarks and slurs.
Starr’s struggle to get justice for Khalil is moving and heart wrenching. She is a complex character, and a very believable one. Starr is a brilliant heroine, she is real and conflicted and her voice is very strong. Angie Thomas really conveys the trauma Starr is going through after the loss of Khalil, and the impact of another death when she was a child. The family dynamics are also very well done and the dialogue is snappy and on point.
This is a brilliant and important book, one I want to press into people’s hands, it’s such an important book. It is a very impressive debut, and I look forward to reading more books by Angie Thomas in the future.

Review: The Space Between by Meg Grehan

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The Space Between

Meg Grehan

Little Island (March 2017)

YA

Beth has decided to take a year of solitude. Hidden away in her house, she lives according to a schedule, it makes her feel safe and secure. She has her own little world, and everything is under control there. Then, one day a dog called Mouse arrives at her window. Mouse brings Beth a rare and unexpected burst of joy, but it is his owner Alice who really changes Beth’s world. But Beth’s anxieties are still there, her year of seclusion rolls out, and letting someone else into her life is strange and scary.

This is a beautiful book in so many ways. The cover (designed by Paula McGloin) is gorgeous, and sets the tone for the book. The Space Between is a tender love story; quiet, emotional and moving. Grehan really conveys Beth’s anxiety and the ways in which her phobias trap and restrict her. At times the book can be difficult to read, and I felt panic setting  in myself reading some of the poems.

Just do the same thing

at the same time

just do it again and

again and again and

again and again and

again and again and

again until it sinks in

until your brain accepts it

until you can pretend

until you can pass as a person

Beth’s connection with Alice, the progression from friendship to something more, is handled tenderly. This relationship was built up slowly, in a manner that felt very realistic. Grehan explores the complexity for Beth of having a connection to the outside world once more. Beth has cut herself off from the rest of the world, and Alice’s ability to navigate it and to do things Beth isn’t able to do anymore is a source of tension. It is always good to see more LGBTQ love stories out there, particularly one portrayed in such a positive light. At times it did feel a bit too rosy, but of course I was glad Alice and Beth got their happy ending. I also would have liked the book to have been a bit longer,  I was enjoying it so much!

I also loved the fact that Alice, while playing a major role in Beth’s recovery, was not a knight in shining armour and Beth has to rely on her own inner strength to get better. Alice says to Beth at one point ‘I can’t be your reason.’ The Space Between shows how love and friendship can enrich your life and bring healing, but in the end Beth is the one who must take the steps, who must save herself. The ending is hopeful, but it is clear that Beth still has a long way to go and there is a sense that her recovery will be an ongoing process, with ups and downs. In this way, Grehan portrays mental illness in a very realistic way. Beth’s anxieties are by no means romanticised or beautified, and we really see how difficult coping with her agoraphobia, anxiety and depression is.

Above all, this is a beautifully written work. Even in the third person, we get right inside Beth’s head. The poems bring us right into her consciousness, and they flow beautifully. The formatting and typesetting are clever, and Grehan plays with the forms of the poems. I loved the part in which Beth is focusing on her breathing. In verse novels, words carry so much weight, and Grehan deftly weaves a moving tale of anguish, love and redemption. It is a short book, yet it has impact. Verse novels are much more prevalent in the US than in Ireland or the UK. Sarah Crossan is the most popular and prolific verse novelist in these parts, and it is great to see a new talent like Meg Grehan working in this format. Here’s to more Irish verse novels in the future!

The Space Between is an honest, delicate love story in verse, a book that warmed my heart and made me cry.

The Space Between will be launched in The Gutter Bookshop on Thursday March 30th by Deirdre Sullivan (author of Needlework and the Primrose Leary trilogy).

Space Between Launch

Review: …And a Happy New Year? by Holly Bourne

Oh how I love the Spinster Club! This is the series I wish could have been around when I was a teenager. I have had the new (and final, sob) book since DeptCon2 but I had been putting off reading it because I didn’t want this wonderful series to end. However, last weekend it was exactly the book I wanted to read. Now I have read it, I am happy to report that fans of Holly Bourne and the Spinsters will not be disappointed.

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…And a Happy New Year

Holly Bourne

Usborne (2016) YA

Same bench. Same view. Same girls.

And yet totally different girls…

…And a Happy New Year? is set at Amber’s New Year’s Eve party, and sees the Spinsters reunited after their first term of university. The distance and their new experiences has altered their friendship, and they are all keeping secrets.

Amber has made a life-changing decision, she just hasn’t found the right moment to tell her best friends yet.

Lottie is not enjoying university life in London, but she is too ashamed to admit it.

Evie’s boyfriend has had a relapse. She is afraid for him and for herself, but she is also afraid of her friends’ reaction.

With all these terrible secrets, this will be a New Year’s Eve to remember…

This is shorter than the other Spinster Club books (a novella rather than a novel) and switches between the POVs of the main characters. All three voices were distinctive, and using this format gave us an insight into each character.  I also loved the ‘countdown’ aspect of the book. There are some wonderful quotes about how New Year’s Eve is actually kind of terrible.

It’s about feeling let down by life. It’s about a sinking feeling in your stomach that the night should’ve worked out better. It’s about your high expectations being dashed. It’s about your feet getting really cold watching shit fireworks. It’s about worrying everyone is having a better time than you. It’s feeling, only ten seconds after midnight, that actually, yes, your problems are still here and you were a deluded idiot for thinking a new year could change that.

As ever, Bourne’s writing is both funny and moving, and she writes brilliantly about friendship, feminism and mental health. What I loved was how this book explored the complexities of growing up (and sometimes growing apart), showing how expectations and reality can differ. Each character’s story was strong and their struggles felt very real. I like that Bourne did not opt for a ‘happily ever after’ ending to her series.

And I was angry at the world and the future and growing up and becoming an adult and all the other things that just do not turn out how they’re supposed to.

This book (and this series) is very much focused on feminism. Romance comes into each character’s story, but the focus really is on their friendship. Bourne explores the difficulty of maintaining friendships when you are all off having different experiences and adventures. Her characters are faced with the question of whether growing up means growing apart.

My favourite of the three characters is still Evie, and her story was very moving in this book. Bourne evokes Evie’s anxieties in a real and honest way. She shows both Evie’s own struggles, and how Evie copes with her boyfriend’s relapse. Exploring this connection between mental health and relationships is a very important part of the book, and I liked that Bourne engaged with the complexities of this issue.

We’d both worked so hard to get better. Us, our love, was our reward. We were supposed to be basking in the harvest of our efforts, not tumbling back down into dark rabbit holes.

Amber and Lottie’s stories were also emotional, and this book has all of the best things about a Spinster Club book – feminism (Does any Christmas movie pass the Bechdel test? Is the New Year the most feminist of all the holidays?), great dialogue, friendship, cheesy snacks etc. etc.

This is a beautifully produced book. It was released in a lovely hardback edition. The dust jacket (pictured above) is gorgeous and festive, and the self cover with its foil design is also lovely.

I adored this book and it is definitely one I will re-read at New Year’s. While I am sad to leave the Spinsters (this book made me very emotional) I am looking forward to Holly Bourne’s next book, due out in 2017!